Friday, 16 June 2006

Poem by S.J. Holland-Batt

Eyewear is pleased this Bloomsday to, in antipodean style, feature S.J. Holland-Batt. She was born in Southport, Queensland, grew up in Denver, Colorado, and has been living in St. Lucia, Queensland, as a freelance arts writer for localART.

Her poetry has appeared in Overland, Cultural Studies Review, and was anthologised in 2004 in Straight Out Of Brisbane (SOOB): New Writing. She was recently selected as Vibewire's Poet in Residence. She recently completed a review of a new critical text on Vladimir Nabokov for the American journal Politics and Culture.

I think Ms. Holland-Batt is one of the new voices emerging from Australian poetry we should be keen to follow over the next years, and was glad to feature poetry of hers at Nthposition. Here's a new poem of hers, below:


Hailstorm

We’ve become used to each other—
you don’t yet have a key, but you let yourself
in, and boil the kettle meditatively,

but tonight everything was shaken loose—
we lurched and scuttled in a dazzled haze,
fog rose from the startled asphalt, and

millions of dizzied baubles rattled down,
a wild rush of iced rain, globes like golf
balls or styrofoam meteors clattered down

stairs, shored up against embankments,
tucked into crevices, ripped poinciana leaves
down in a palpable frenzy. Go home, I thought.

Leave, leave, so I’m free to prowl again
the white noiseless streets, to shiver with
the crazed possums leaping along power

lines, to be alone with my cold, with
this religion of frozen things.


poem by S.J. Holland-Batt

Thursday, 15 June 2006

Smith, Todd Smith

Apparently, a small tempest in a teapot rages in Galway, Ireland... just in time for Bloomsday.

Last year around the same time, at that summer festival, I was called Todd Smith too, if I recall... (see one of the first posts on the site)... sorry, that was Todd Shaw...

http://www.galwayadvertiser.ie/dws/story.tpl?inc=2006/06/15/letters/34634.html

Wednesday, 14 June 2006

Eric Gregory Reading 2006

For as long as I can remember, poet and organiser Roddy Lumsden has been arranging for the winners of the coveted Eric Gregory prizes in poetry (best UK poets under 30, based on a submitted manuscript or collection) to read in London.

This is always an important and anticipated event - the poetic equivalent of a Paris catwalk where the latest fashions are displayed - with the possibility to discover work that might last longer than the usual cycle of short-long-short hem.

This year is no exception, and among the readers, for instance, is the much-talked-about Frances Leviston, which Eyewear has in the past written about, saying she might be the best new mainstream voice of her generation (those under 30).

The reading takes place this coming Thursday, June 15, after the completion of the England game, 8 pm at the Poetry Studio, Betterton Street.

Congratulations to The Eric Gregory award winners for 2006:

Fiona Benson
Retta Bowen
Frances Leviston
Jonathan Morley
Eoghan Walls

Tuesday, 13 June 2006

Monday, 12 June 2006

Canadian Hot

Nelly Furtado, the Canadian girl-singer made good, pictured here in front of some gumballs, has the number one single in the UK this week, narrowly beating out the World Cup theme.

That's pretty impressive for a country that has fans goose-stepping in Germany.

Nelly has brought a Canadian summer heatwave with her new album, just out, Loose - people have been fainting in the London underground today to headlines of TUBE HEATWAVE NIGHTMARE.

Plus, The Guardian liked it, too...

Speaking of popular Canadians, I read my poems tonight at The Poetry Cafe. Alas, I won't be backed by Timbaland. Nelly has me beat, then - but when has pop ever been poetry's little sister?

http://arts.guardian.co.uk/filmandmusic/story/0,,1792851,00.html

Sunday, 11 June 2006

Bloomsday Reading, Welsh Style

A little bit like hauling coals to Newcastle, I'll be bringing my poetry to Wales this coming Bloomsday, June 16, to read in Newtown, at the Oriel Davies Gallery, from 7.45-9 pm, with poet Chris Kinsey.

Hope to see you there.

See the Academi website, below, under news (scroll down) for more information.

http://www.academi.org/main.cfm?language=english

Saturday, 10 June 2006

Review: Viral Suite by Mari-Lou Rowley

Viral Suite
Mari-Lou Rowley
Anvil Press, Canada
100 pages

Viral Suite is the poetic equivalent of a genre flick (say, a thriller) that’s a guilty pleasure: that is, within the frame of its own choices, production style (very high), and strategies, it yields a precisely-constructed satisfaction - but the uninitiated or just-not-interested might be left out in the cold.

In the case of Rowley’s book of poems, let’s say linguistically innovative poetics is the strategy, and the choice is to work within a set of thematic and structural constraints (including prose poetry and scientific and technical jargon) to yield something new and experimental.

Rowley’s sense of how poetic and scientific language can interpenetrate to fecund effect is pretty good. Take “Flowers of Sulphur” which opens: Screaming yellow rape ripening in the fields,/ the reeking sulphurous edges of sloughs. In this poem she also tells us “gaseous compounds can kill in seconds” while in “Sex in Space Time” we are advised that sex, gravity, quantum theory/ are just the play of/ matter and energy, radiating.

It is this mix of useful, if perhaps disconcertingly geeky, information (the poet herself calls it Elucidata and appends it to some of the poems), and witty sensuous play, that makes the collection take off. The sequence “Boreal Surreal” is a bizarre melange of National Geographic factoids interlaced with erotic, sinister perils and transformations, a prosaic and hyper-modern updating of Ovid. As the writing is, to quote from section 1, so too: she is absorbed and dispersed.

The standout (long) poem in the book is “InArticulations”, a series of memos that interweave borrowings from art magazines from the last century with the 18th century Schiller’s musings on aesthetics; Rowley (pictured above) calls this “poetic bricolage”.

Giles Goodland has done this supremely well recently in Spy In The House Of Years, but such textual assemblage is always welcome so long as, to quote the last line of "Memo Ten": symmetry is found in the barren landscape of abstraction.

ANNOUNCING THE EYEWEAR PRIZE FOR THE 21 BEST POETRY BOOKS OF THE 21 CENTURY

THE EYEWEAR PRIZE FOR THE 21 BEST POETRY BOOKS OF THE 21ST CENTURY, IN ENGLISH is a one-off major international award, to be judged by...